Forget the usual garden, grand staircase or sunset beach for a moment. Alex Wassabi and Alexxis Lemire have taken their pre-wedding photos somewhere a little more unexpected: the rugged volcanic landscape of Bali, where blackened terrain, distant mountain peaks and golden morning light set the scene for their latest romantic adventure.
The engaged couple’s “Lexlexx in Bali” shoot pairs an almost otherworldly backdrop with understated styling and moments that feel deliberately personal. Lemire wears a striking white gown with a flowing train, while Wassabi keeps his look simple in a crisp shirt and tailored neutral trousers. Together, they make a case for destination pre-wedding photography that is less about elaborate props and more about finding a setting with its own personality.
For couples dreaming of a destination wedding or an equally memorable pre-wedding shoot, Wedded Concierge can help connect you with trusted venues, suppliers and wedding professionals to bring your ideas to life, wherever your plans take you.
The shoot begins around Mount Batur, one of Bali’s best-known volcanic landscapes. The setting is a world away from the island’s tropical beach imagery, with dark, uneven ground stretching towards layered hills and a mountain silhouette softened by the early light.
Rather than compete with the scenery, the couple’s styling keeps things clean. Wassabi wears a white button-down shirt with beige trousers, a brown belt and brown shoes. The look is relaxed but polished, giving the photographs an understated feel that works against the dramatic surroundings.
Lemire’s bridal look brings the statement. Her white gown features a fitted, strapless bodice and a voluminous skirt that extends into a long train across the rocky ground. A sculptural scarf-like detail wraps around her neck and trails behind her, adding movement and a contemporary edge to the silhouette. Her hair is swept into a low bun, with delicate earrings completing the look without distracting from the dress.
The result feels closer to a bridal fashion editorial than a conventional pre-wedding session. The gown supplies the romance, the volcanic landscape brings the drama, and neither needs much embellishment.
One of the most striking details is the way Lemire’s train spreads across the dark terrain. Against the rough, almost charcoal-coloured ground, the white fabric becomes a focal point, its folds and extended silhouette creating contrast in every frame.
The photographs also make thoughtful use of scale. Wide compositions place the couple within the immense landscape, allowing the mountain and open sky to take up much of the frame. Closer portraits shift the attention to their expressions, embraces and kisses. The change in perspective gives the shoot a sense of movement without requiring a different outfit for every scene.
As the light warms, the volcanic terrain takes on deep brown and amber tones. In the black-and-white portraits, the mood becomes more cinematic, with strong contrasts between the pale gown, dark ground and bright sky. One particularly playful moment sees the couple walking together, while another captures them holding lanterns against the dimming landscape.
It is a useful lesson for couples planning their own pre-wedding shoot: a location can do more than provide a pretty view. Choosing a place with texture, changing light and room for both wide shots and intimate portraits can give a gallery a distinctive visual identity.
For all the dramatic scenery, the most memorable moments bring the focus back to Wassabi and Lemire. They hold hands along the volcanic path, lean into kisses and embrace beneath the mountain backdrop. In one black-and-white portrait, a veil falls around them as they kiss, creating an image that feels intimate without losing the scale of the landscape.
The couple’s final stop in Bali brought a more personal ending to the adventure. According to the caption accompanying their feature, they also visited a majestic waterfall, where they set aside scripts and retakes to share what they genuinely felt with each other. It was a fitting close to a journey built around both the spectacle of the destination and the relationship at its centre.
Their engagement story had a similarly personal touch. Wassabi proposed in June 2025 during what Lemire believed was a music video shoot for “Chance on Love”, an original song they wrote together. The engagement was reported by The Knot in August that year. Wassabi had planned the surprise with friends, turning a shared creative project into the moment he asked her to marry him.
The appeal of Wassabi and Lemire’s shoot lies in its clear point of view. Instead of trying to make the volcanic landscape feel like a traditional wedding venue, the photographs embrace its rawness. The styling stays elegant, the train provides movement, and the contrast between the white gown and dark terrain carries much of the visual story.
It is also a reminder that pre-wedding photography does not have to look like a preview of the wedding day. Couples can use it to experiment with a different mood, wear something more editorial or explore a destination they have always wanted to experience together. The photographs can stand on their own rather than repeat the aesthetic of the celebration to come.
With Mount Batur as their backdrop, Lemire’s sweeping gown and a mix of warm-toned and monochrome portraits, the couple’s Bali pre-wedding shoot offers a fresh take on destination romance. It is polished without feeling overly staged, dramatic without relying on elaborate decor, and personal enough to keep the landscape from becoming the entire story.
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