Daniel Roseberry kicked off Paris Couture Week at the Petit Palais with a fearless ‘back to the future’ collection that paid homage to Elsa Schiaparelli’s surrealist roots while ushering in a bold, modern silhouette. Gone are the days of rigid corsetry; instead, fluid, elastic forms drape the body in sculptural luxury, from saddle-shaped bustiers to bias-cut gowns that whisper of liberation rather than constraint. Intricate trompe l’oeil embroideries and a pulsing, heart-shaped beaded choker drove home the line’s theatrical DNA, all set against the museum-worthy backdrop of Charles Worth’s archival display.
It is clear that Dua Lipa has officially entered her bridal era. The bride-to-be got engaged to Callum Turner and Dua really is setting the bridal fashion trends in this new era. Dua Lipa’s engagement to Callum Turner, the chunky ring that she got engaged with and more details here.
From the moment the lights dimmed, a cinematic hush enveloped the Petit Palais. The mood was part war-inspired futurism, part black-and-white film noir, stark contrasts, strategic shadows, and the electric hum of expectation. This wasn’t just a fashion show; it was performance art, a visceral reminder that couture can still surprise, haunt, and seduce.
Roseberry’s Fall 2025 line reaffirms Schiaparelli’s status as the house that dares where historical reverence meets the avant-garde in a daring pas de deux. For trendsetters, it’s proof that monochrome is not boring; it’s the canvas for drama. For celebrities, it’s the ultimate trophy gown. And for everyone else, it’s a masterclass in how to channel surreal sass without ever whispering “basic.”
When Schiaparelli calls, even the crows answer.
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